the reel. everything we can show
Every film we can screen publicly
0
Films delivered
Since the first one, in a rented garage
0
Festival selections
Eleven countries, four continents
0
Years in the trade
Same building since 2019
0
Crew on call
Camera, grip, sound, art, post
on the record. clients & collaborators
Elena Marchetti
Brand Director, Rowntree Whisky
Samuel Okereke
Head of Content, Fieldnote
Priya Raghunathan
Executive Producer, Ash Grove Trust
Hana Sorensen
Marketing Lead, Meridian Group
They turned up with a shot list, a spare battery for everything, and one very good idea we had not thought of.
Two rounds of notes, both honoured, no invoice attached to either. I have worked with eleven studios and that has happened twice.
The dailies were graded well enough that our board understood the film three weeks before it was finished. That saved the project.
We asked for a ninety-second commercial and they told us where the story actually started. The cut we ran was forty seconds shorter and much better.
what we do. three rooms
Ask for the capability list
Three rooms, one continuous take
Story & Direction
We start with the argument, not the shot list. Treatments, script passes, casting and a director who stays with the film from first read to final mix.
- Treatment
- Script passes
- Casting
- Recce & boards
Production & Crew
Our own camera and grip package, a crew list we actually know, and the paperwork nobody wants to think about handled before the truck loads.
- Full unit
- Camera package
- Permits
- Insurance
Post & Colour
Cut, grade, sound and score in one suite, so the film that leaves us is the film you approved — down to the last frame handle.
- Offline & online
- Colour grade
- Sound mix
- Original score
showreel. 2026 cut
Two minutes and fourteen seconds of the last nine years
2026 CUT
RUNTIME 02:14
2.39:1 / 16:9
5.1 SURROUND