Marguerite Auer
Founded Halide in 2017. Directs the narrative slate and reads every treatment that leaves the building.
Founded Halide in 2017. Directs the narrative slate and reads every treatment that leaves the building.
Shoots on vintage spherical glass and will argue for a longer lens in almost any situation. Usually right.
Writes and structures. Turns a client brief into something a crew can actually shoot, usually by cutting half of it.
Runs the board, the budget and the permits. The reason shoot days finish when the call sheet says they will.
Halide started as three people and a borrowed Bolex. It is now a stage, a cutting room and a crew of thirty-seven who have mostly worked together long enough to argue productively.
We take on around fourteen projects a year. That number is deliberate. It means the director who pitched your film is the one standing behind the monitor, and the editor knows why a take was printed before you have to explain it.
Marguerite Auer Director & founder
Films delivered
Since the first one, in a rented garageFestival selections
Eleven countries, four continentsYears in the trade
Same building since 2019Crew on call
Camera, grip, sound, art, post
Actors find the ending before they know how they got there. Sometimes that is exactly the performance you want in the can.…
A line-by-line breakdown of a three-day shoot, including the four things that always get forgotten in the first quote. Body, glass, support,…
A script is a set of instructions to forty people. Most drafts fail because they were written to be admired instead. The…